One of the first Hong Kong movies I ever saw was a totally mad production named Savior of the Soul (co-written by none other than HK indie-film maverick Kar-Wai Wong). Any five minutes of that movie have more back-to-back action than most any Western film—at least until Western movies started catching up with productions like Crank and Shoot ‘Em Up. But hey, the HK moviemakers got their firstest with the mostest, and that stuff is still golden even after all these years.
From what I’ve seen of Chinese Hero so far, the HK comics scene has also featured the same kind of incredibly compressed, everything-including-the-kitchen-sink and-the-contents-of-the-fridge-too storytelling. There’s more going on in any one volume of Chinese Hero than there is in any three or four (or five, or ten) volumes of most other comics, and it’s all thrown at you with a gusto that’s irresistible.
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